Beschreibung Metamorphosed Margins: The Case for a Visual Rhetoric of the Renaissance Grottesche under the Influence of Ovid's Metamorphoses (Studien zur Kunstgeschichte). Um 1480 kam das Renaissance-Ornament der Grottesken aus der Grotte in Rom zum Vorschein â von den in der verschĂŒtteten Domus Aurea gefundenen antiken Wandmalereien inspiriert. Zur gleichen Zeit nahm die Leserschaft der Metamorphosen Ovids in Italien und Europa rapide zu. Genutzt als primĂ€re Quelle fĂŒr Geschichte(n) und Bedeutung allâanticha, nĂ€hrten die Metamorphosen die kĂŒnstlerische Vorstellungs- und Aussagekraft der Grottesken-Kompositionen und Einzelmotive fĂŒr einen groĂen Teil ihrer 200-jĂ€hrigen Lebensdauer. Dieses einzigartige Ornament verbreitete sich europaweit in vielerlei Gattungen und wurde im 18. und 19. Jahrhundert wiederbelebt. Im Rinascita-Italien waren die ornamentalen âRĂ€nderâ Bestandteil eines gröĂeren PhĂ€nomens, des âPaganen Traumsâ. Die Metamorphosen, auch andere mythologische HandbĂŒcher, beflĂŒgelten die KĂŒnstler und bildeten die âBrilleâ, durch welche die Auftraggeber die Grottesken betrachteten. Sie âsahenâ in den ornamentalen RĂ€ndern unsichtbare âconcettiâ, die auch Kernstoff der Metamorphosen-Handlungen waren: Die Gesetze der Natur, Zeiten und Zyklen, Liebe und Leidenschaft. Anhand von noch heute bestaunbaren 7 Fallstudien stellt der Autor dar, was die âGrottescheâ ihren Zeitgenossen im 15. und 16. Jahrhundert bedeuteten. Der Hamburger Forscher Victor Kommerell lĂ€dt Kunst- und Kulturhistoriker, Italienliebhaber und Kulturreisende ein, die so oft ignorierten âRĂ€nderâ zu besuchen.***************The Grottesche, Renaissance ornament, came out of the grotto in the 1480âs in Rome â inspired by the Ancient Roman wall paintings discovered in the âburiedâ Domus Aurea - just as Ovidâs Metamorphoses reached a much wider readership in Italy and in Europe. As primary source for allâanticha (hi)stories and meaning, the Metamorphoses fuelled artistic imagination and meaning expressed in Grottesche compositions and motifs for a good part of their 200-year life. The unique ornament entered many art forms, covering Europe; and was revived in the 1700âs and 1900âs. In 1500âs Italy, these ornamental margins belonged to a larger phenomenon, the âPagan Dreamâ. Ovidâs Metamorphoses, and other mythological handbooks, notably shaped artistsâ visual choices and informed patronsâ reading of alla grottesca art work. They noted âunderlyingâ, invisible âconcettiâ visualised at the ornamental margins, also described in Ovidâs plots: The Laws of Nature, life cycles, metamorphosis, the power of passion.This book makes an argument about what the Grottesche had meant to their 15th and 16th century contemporaries by looking at 7 locations, still visitable today. Hamburg-based researcher Victor Kommerell has written an engaging account of his findings, which invites art and cultural historians, Italy lovers and âeducational touristsâ to delve into the often neglected margins.
Metamorphosed Margins: The Case for a Visual Rhetoric of ~ Metamorphosed Margins: The Case for a Visual Rhetoric of the Renaissance Grottesche under the Influence of Ovid's Metamorphoses (Studien zur Kunstgeschichte) / Victor Kommerell / ISBN: 9783487136936 / Kostenloser Versand fĂŒr alle BĂŒcher mit Versand und Verkauf duch .
Genres, Themen und Motive, Poetik / SpringerLink ~ Kommerell, Victor: Metamorphosed Margins. The Case for a Visual Rhetoric of the Renaissance Grottesche under the Influence of Ovidâs Metamorphoses . Hildesheim 2008.
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