Beschreibung Mancini, G: Sixteenth Century Italian Paintings: Volume III: Ferrara and Bologna (National Gallery Catalogues). This new volume in the series of National Gallery collection catalogues focuses on 16th-century Bologna and Ferrara. The Gallery holds the most important collection of these paintings outside Italy, including works by Garofalo representing his entire range as an artist; exquisite and grotesque miniature narratives by Mazzolino; a large masterpiece by the short-lived genius known as Ortolano; and some of the most dazzling paintings by the eccentric Dosso Dossi. There are two altarpieces by Lorenzo Costa along with his highly original Concert, and Francesco Francia's Buonvisi altarpiece. The book defines the special quality of works from the region, but also traces the influence of Perugino, Raphael, and Titian. New archival and technical research and provenance information reveal the fortunes of artists’ reputations across a long arc in the history of taste.
The Sixteenth Century Italian Paintings von Giorgia ~ This new volume in the series of National Gallery collection catalogues focuses on 16th-century Bologna and Ferrara. The Gallery holds the most important collection of these paintings outside Italy, including works by Garofalo representing his entire range as an artist; exquisite and grotesque miniature narratives by Mazzolino; a large masterpiece by the short-lived genius known as Ortolano .
Colnaghi Foundation Journal 01 - Catalog - Page 155 ~ Mancini and Nicholas Penny, National Gallery Catalogues: The Sixteenth Century Italian Paintings, III: Bologna and Ferrara (London: The National Gallery, 2016), pp. 473478. The authors argue (p. 475) that the Honthorst had already been reserved for the 2nd Duke by his agent in Italy, the Venetian Carlo Galvani.
Bologna - Wikipedia ~ Mancini, Giorgia, and Nicholas Penny, eds. The Sixteenth Century Italian Paintings: Volume III: Ferrara and Bologna (National Gallery Catalogues) (2016). Rashdall, Hastings. The Universities of Europe in the Middle Ages: Volume 1, Salerno, Bologna, Paris (2010). Robertson, Anne Walters. Tyranny under the Mantle of St Peter: Pope Paul II and Bologna (2002) Guide books. Grieco, Romy. Bologna: a .
Madonna and Child / Detroit Institute of Arts Museum ~ One of the first Italian artists to master the use of oil paints, Bellini combined the careful draftsmanship and pure geometry typical of the Italian Renaissance with the astute coloring particular to Venetian artists. This depiction illustrates the Virgin's presentation of the Christ child giving his blessing. The artist's use of the green curtain serves to create the illusion of an interior .
Venus and the Lute Player - The Metropolitan Museum of Art ~ Italian Paintings in America. Vol. 3, Sixteenth to Eighteenth Century. New York, 1933, unpaginated, pl. 524, attributes it to Titian and dates it about 1560; calls the Cambridge picture a replica of inferior quality, a school work; also mentions versions in the Museo del Prado, Madrid, and in the Berlin museum. Wilhelm Suida. Tizian. Zürich .
The European Fortune of the Roman Veronica in the Middle ~ The Sixteenth Century Italian Paintings: Volume III: Ferrara and Bologna (National Gallery Catalogues) Giorgia Mancini. 5.0 out of 5 stars 3. Hardcover. $93.57 . Caravaggio: The Complete Works Rossella Vodret. 4.6 out of 5 stars 62. Paperback. 11 offers from $17.40. The Museums and Ruins of Rome; Volume 1 Walther Amelung. Paperback. $17.95. The Place of the Antique in Early Modern Europe .
Collection (Getty Museum) ~ The collection of the J. Paul Getty Museum comprises Greek, Roman, and Etruscan art from the Neolithic to Late Antiquity; European art—including illuminated manuscripts, paintings, drawings, sculpture, and decorative arts—from the Middle Ages to the early twentieth century; and international photography from its inception to the present day.
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Titian - Wikipedia ~ Penny, Nicholas, National Gallery Catalogues (new series): The Sixteenth Century Italian Paintings, Volume II, Venice 1540–1600, 2008, National Gallery Publications Ltd, ISBN 1-85709-913-3 Ridolfi, Carlo (1594–1658); The Life of Titian , translated by Julia Conaway Bondanella and Peter E. Bondanella, Penn State Press, 1996, ISBN 0-271-01627-2 , ISBN 978-0-271-01627-6 Google Books
Welcome / Yale University Press ~ The Families Who Challenged Slavery from the Nation’s Founding to the Civil War. William G. Thomas III. Modernism for the Masses. Painters, Politics, and Public Murals in 1930s New York. Jody Patterson. Last Slave Ships. New York and the End of the Middle Passage. John Harris. Building a new New World . Amerikanizm in Russian Architecture. Jean-Louis Cohen. Remembering WWII. Use promo code .
The Robert Lehman Collection. Vol. 1, Italian Paintings ~ The first volume of the comprehensive catalogue of the Robert Lehman Collection in The Metropolitan Museum of Art is justifiably devoted to Early Italian paintings, which were particularly close to Robert Lehman's heart. In 1975, the Metropolitan Museum opened the Lehman Wing to house this magnificent collection, which had been transferred to the Museum by the Robert Lehman Foundation.
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Vermeer's Painting Technique: A Five Part Study ~ Jill Dunkerton, Susan Foister and Nicholas Penny, Dürer to Veronese: Sixteenth-Century Painting in the National Gallery (New Haven, 1999); Jill Dunkerton et al., Giotto to Dürer: Early Renaissance Painting in the National Gallery (New Haven, 1994); Arie Wallert and Carlo van Oosterhout, From Tempera to Oil Paint: Changes in Venetian Painting 1460–1560 (Amsterdam, 1998).
Honthorst in Italy / Springer for Research & Development ~ This type of scene is continued in the early sixteenth century by Albrecht Dürer in his woodcut of the Rest on the Flight Into Egypt . Not only the Supper at Emmaus. in the Brera but also the painting of this same subject in the National Gallery, London , are, to my mind, the prototypes for the party scenes by Manfredi and Honthorst. Google Scholar. 4. A. Venturi, op. cit.,. Vol. IX, part 6 .
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The Uffizi / Uffizi Galleries - Gallerie degli Uffizi ~ The Gallery entirely occupies the first and second floors of the large building constructed between 1560 and 1580 and designed by Giorgio Vasari. It is famous worldwide for its outstanding collections of ancient sculptures and paintings (from the Middle Ages to the Modern period). The collections of paintings from the 14th-century and Renaissance period include some absolute masterpieces .
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