Beschreibung Williamson, P: Medieval Ivory Carvings 1200-1550. The Victoria and Albert Museum&;s collection of ivory carvings from c. 1200&;1550 is one of the most important in the world. Containing 289 entries, this book is the first catalog of the material to be published since 1929. Together with Medieval Ivory Carvings: Early Christian to Romanesque, it makes available more than 400 pieces of the ivory carver&;s art. Included here are masterpieces and representative examples from many of the vital centers of ivory carving in the Gothic era. Each entry provides a comprehensive physical and scholarly discussion, synthesizing the existing literature and including much new research. Also included are carvings of dubious authenticity, which are discussed as fully as the genuine pieces.
[PDF] Books Medieval Ivory Carvings 1200 1550 Free Download ~ Medieval Ivory Carvings 1200 1550 Medieval Ivory Carvings 1200 1550 by Paul Williamson. Download it Medieval Ivory Carvings 1200 1550 books also available in PDF, EPUB, and Mobi Format for read it on your Kindle device, PC, phones or tablets. Included here are masterpieces from the most important centres of ivory carving in the Gothic era..
Medieval Ivory Carvings 1200-1550: : Paul ~ Buy Medieval Ivory Carvings 1200-1550 Slp by Paul Williamson, Glyn Davies (ISBN: 9781851778119) from 's Book Store. Everyday low prices and free delivery on eligible orders.
MEDIEVAL IVORY CARVINGS 1200–1550 by V&A Publishing - Issuu ~ medieval ivory carvings 1200–1550 Published on Jun 24, 2014 The V&A’s collection of ivory carvings from the period 1200 to 1550 is one of the most important in the world, and this is the first .
The Wyvern Collection: Medieval and Renaissance Sculpture ~ Paul Williamson is Keeper Emeritus and Honorary Senior Research Fellow at the Victoria and Albert Museum and an Honorary Research Fellow at the Courtauld Institute of Art. His many books include Gothic Sculpture, 1140-1300; Medieval Ivory Carvings: Early Christian to Romanesque; and Medieval Ivory Carvings, 1200-1550.
The Crucified Christ (Figure) / V&A Search the Collections ~ Download PDF version. This is an ivory figure of the Crucified Christ, made in France (Paris) or England, in ca. 1275-1300. This in one of the finest surviving ivory carvings of the crucified Christ from the Gothic era, despite its fragmentary state. The understanding of the skin and musculature of the torso is of the first order, the rib cage shown pressing through the tightly drawn flesh of .
Attack on the Castle of Love (Mirror back) / V&A Search ~ Download PDF version. This is an ivory mirrow back depicting the Attack on the Castle of Love. It was made in Paris in about 1330-1350. During the 14th century specialist ivory craftsmen carved both secular and religious objects in great numbers. Although Paris was the main centre of production, other workshops emerged in Italy and Germany. Some of the craftsmen may have been trained in Paris .
Chess Piece in the Form of a Knight / Netherlandish / The Met ~ New York. The Metropolitan Museum of Art. "Mirror of the Medieval World," March 9, 1999–July 18, 1999. New York. The Cloisters Museum & Gardens. "The Game of Kings: Medieval Ivory Chessmen from the Isle of Lewis," November 15, 2011–April 22, 2012.
Virgin and Child (Statuette) / V&A Search the Collections ~ Download PDF version. During the 13th century, Paris became Europe’s leading centre for ivory carving. The white colour and lustrous surface of ivory suited the Gothic taste for delicacy and refinement. Touches of colour emphasised the sheen of the unpainted areas. The clearly affectionate relationship between the Virgin and Christ is typical of the Gothic style. This is one of the finest .
Edward P. Taylor Research Library Wood Sculpture Resource ~ Paul Williamson, Medieval Sculpture and Works of Art: The Thyssen-Bornemisza Collection (London: P. Wilson for Sothebyʼs Publications, 1987) 734 W67 Main Catalogue of Medieval sculpture from the Thyssen-Bornemisza Collection, which includes works of art in stone and marble, wood, ivory, enamel, and other materials. Includes bibliographical .
The Man of Sorrows / Italian / The Metropolitan Museum of Art ~ Download image; Enlarge image; This artwork is meant to be viewed from right to left. Scroll left to view more. Object Details. Title: The Man of Sorrows. Date: last quarter 14th century. Culture: Italian. Medium: Champlevé enamel, gilded copper. Dimensions: Overall: 4 1/8 x 3 1/8 x 1/16 in. (10.4 x 8 x 0.2 cm) Classification: Enamels-Champlevé. Credit Line: Gift of Georges Seligmann, in .
Plaque / French (?) / The Met ~ Download image; Enlarge image; Object Details. Title: Plaque. Date: ca. 1400 (?) Culture: French (?) Medium: Ivory. Dimensions: Overall (without velvet mount): 3 9/16 x 5 3/16 x 1/4 in. (9.1 x 13.1 x 0.6 cm) Overall (with velvet mount): 3 7/8 x 5 1/2 x 1/2 in. (9.8 x 13.9 x 1.3 cm) Classification: Ivories. Credit Line: Gift of J. Pierpont Morgan, 1917. Accession Number: 17.190.194. Provenance .
St Veronica and St Appolonia (Group) / V&A Search the ~ Review of the Principal Acquisitions during the Year, London, 1917, p. 5 part 1, p. 454 Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014
Crucified Christ / Northern European / The Metropolitan ~ Download image; Enlarge image; This artwork is meant to be viewed from right to left. Scroll left to view more. Object Details. Title: Crucified Christ. Date: ca. 1300. Culture: Northern European. Medium: Walrus ivory with traces of paint and gilding. Dimensions: Overall: 7 9/16 x 2 1/16 x 1 3/8 in. (19.2 x 5.3 x 3.5 cm) Classification: Ivories. Credit Line: The Cloisters Collection, 2005 .
Hair pin / V&A Search the Collections ~ p. 27 Maskell, W., A Description of the Ivories Ancient and Medieval in the South Kensington Museum, London, 1872 part II, p. 640 Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014
Plaque with a Pair of Lovers / North Italian / The Met ~ Medium: Ivory traces of polychromy. Dimensions: Overall: 4 1/16 x 1 3/4 x 1/4 in. (10.3 x 4.5 x 0.6 cm) Classification: Ivories. Credit Line: Gift of J. Pierpont Morgan, 1917. Accession Number: 17.190.260
Paul Williamson - : Low Prices in Electronics ~ An Introduction to Medieval Ivory Carvings (V & A introductions to the decorative arts) . Medieval Ivory Carvings 1200-1550 by Williamson, Paul (2014) Hardcover 01-Jan-1900. by Paul Williamson Hardcover. £230.57. The Medieval Treasury by Paul Williamson (1986-12-31) 01-Jan-1838. by Paul Williamson Paperback. £21.04. Medieval Sculpture and Works of Art: The Thyssen-Bornemisza Collection by .
stained glass in england - ZVAB ~ Hardback, XIV+257 p., 15 b/w ill., 160 x 245 mm. ISBN 9782503512907. This volume contains an interdisciplinary collection of essays on St Katherine of Alexandria and her followers. St Katherine of Alexandria was one of the most popular saints in Medieval Europe. This book constitutes the first interdisciplinary collection of essays to explore .
Ivory carving - Wikipedia ~ Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually.. Humans have ornamentally carved ivory since prehistoric times, though until the 19th-century opening-up of the interior of Africa, it was usually a rare and expensive material used for luxury products.
The Crucified Christ (The Cloisters) - Wikipedia ~ The Crucified Christ (MA 2005.274) is a sculpture in walrus ivory, probably from Paris c 1300, now in The Cloisters, New York.It is lined with traces of paint and gilding. Although small in scale, it is structured in a monumental style. It shows the dead and crucified body of Christ; in the 12th century the dead Christ was widely seen as representing human suffering.
Ancient DNA reveals the chronology of walrus ivory trade ~ The timing of this significant increase (p-value = 0.0063, Fisher's exact test) in western clade specimens thus coincides with new ecclesiastical infrastructure in Greenland and the height of Romanesque ivory carving in Europe . We have not yet discovered European walrus rostrums that date specifically to the century of Norse Greenland's abandonment (the 1400s). By this date walrus ivory had .
Paragone: Alabastermadonnen - Hausarbeiten ~ Paul Williamson: Sculpture, in: Age of Chivalry. Art in Plantagenet England 1200-1400, Ausst. Kat, 6.11.1987-6.03.1988, hrsg. v. Jonathan Alexander u. Paul Binski, London 1987, S.98-106, hier S. 103f, Francis Cheetham: Alabaster Images of Medieval England, Woodbridge 2003, S. 1 u. Schoenberger 1937, Sp. 300. Im Folgenden zitiert als Williamson 1987 und Cheetham 2003. Zuvor wurde in der .
V&A Publishing Autumn 2019 / Catalogue by Abrams ~ Medieval Ivory Carvings 1200–1550 Williamson & Davies £150 HB 2-VOL SLIPCASE 9781851778119 ACADEMIC DISCOUNT Micromosaics Heike Zech £10.00 HB 9781851779703 Vincennes & Early Sèvres Porcelain .
Geschichte der Zahnmedizin – Wikipedia ~ Die Geschichte der Zahnmedizin oder Geschichte der Zahnheilkunde umfasst die Entwicklungen in der Zahnheilkunde einschließlich der Beiträge von Personen, die die Zahnmedizin ihrer Zeit beeinflussten. Sie ist ein Teil der Medizingeschichte und reicht bis in die Urgeschichte zurück. Die konservierende Behandlung von Zähnen wurde bei einem 14.000 Jahre alten männlichen Individuum aus der .
Häufige Fragen (FAQ) / Netto Online ~ FAQ - Netto Online / Die häufigsten Fragen, werden hier beantwortet.
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