Beschreibung Macdonald, H: Impressionism and Post-Impressionism at the Da (Richard R. Brettell Lecture Series). Impressionism and Post-Impressionism at the Dallas Museum of Artoffers a series of intimate case studies in the history of 19th-century European art. Inspired by a series of public lectures given at the Dallas Museum of Art between 2009 and 2013, the volume comprises twelve beautifully illustrated essays from leading academics and museum specialists. Opening with a new reading of one of Gustave CourbetÂs great hunting scenes,The Fox in the Snow, and ending with an exploration of a group of interior scenes by Edouard Vuillard, each essay stands alone as a richly contextualized reading of a single work or group of works by one artist. The authors approach their subjects from a range of methodological perspectives, but all pay close attention to the experience of making and viewing works of art.
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Impressionism and Post-Impressionism at the Dallas Museum ~ Impressionism and Post-Impressionism at the Dallas Museum of Art offers a series of intimate case studies in the history of 19th-century European art.Inspired by a series of public lectures given at the Dallas Museum of Art between 2009 and 2013, the volume comprises twelve beautifully illustrated essays from leading academics and museum specialists.
Post-Impressionism - Wikipedia ~ Post-Impressionism (also spelled Postimpressionism) is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour.
On Modern Beauty: Three Paintings by Manet, Gauguin, and ~ In this insightful book, Richard R. Brettell, one of the leading authorities on Impressionism and French art of the nineteenth and early twentieth centuries, dares to confront the concept of modern beauty head-on. This is not a study of aesthetic philosophy, but rather a richly contextualized look at the ambitions of specific artists and artworks at a particular time and place.
Pre-Raphaelite Brotherhood - Wikipedia ~ In 1850, the Pre-Raphaelite Brotherhood became the subject of controversy after the exhibition of Millais' painting Christ in the House of His Parents was considered to be blasphemous by many reviewers, notably Charles Dickens. Dickens considered Millais' Mary to be ugly. Millais had used his sister-in-law, Mary Hodgkinson, as the model for Mary in his painting.
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Lise TrĂ©hot - Wikipedia ~ Lise TrĂ©hot (14 March 1848 â 12 March 1922) was a French art model who posed for artist Pierre-Auguste Renoir from 1866 until 1872, during his early Salon period. She appeared in more than twenty paintings, including notable works such as Lise (1867) and In Summer (1868), and she was the model for almost all of Renoir's work featuring female figures at this time.
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Palettes and Techniques of Claude Monet - LiveAbout ~ He often painted a series of the same subject to capture the changing effects of the light, swapping canvases as the day progressed. The second is that all of Monet's paintings were done on location. In fact, many were painted or finished back in his studio. Monet is quoted as saying: "Whether my cathedral views, my views of London and other canvases are painted from life or not is nobody's .
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